Jordyn Tareaz Finds Her Happy Ending in Debut EP ‘It’s Not Like The Movies’
'It’s Not Like The Movies' captures the multifaceted journey of self-discovery and inner growth, portraying the quest for personal fulfillment. Though life diverges from the silver screen, Tareaz's EP mirrors the path traveled by many young Black women today. Infused with irresistible pop hooks and soulful vocals, Tareaz embarks on a captivating expedition toward her own happy ending.
WASHINGTON, DC (March 22, 2024) – Emerging pop sensation Jordyn Tareaz introduces her dynamic debut EP titled It's Not Like The Movies, available for streaming now. The EP goes beyond mere introduction, immersing listeners in Tareaz's intimate narrative through diaristic and honest lyricism. Its content embodies a hopeful perspective on the future, alongside a process of reconciling with the present while cultivating inner confidence and self-worth. Tareaz reflects on moments that, though not cinematically picturesque at times, shaped her journey to the present. Describing the project as a narrative prelude to her debut single, "So Good (On My Own)," It's Not Like The Movies illustrates Tareaz's journey toward attaining the heightened confidence evident in her first single release. Inspired by influential women like Raye, Reneé Rapp, and Chlöe, Tareaz draws upon their experiences in harnessing adversity to fuel their journey toward confidence and empowerment.
PC: Clara Neville
Collaborating with co-producers Sabrina Song and Emma Rose Botti, mixer Samantha Henry, and mastering engineer Gabi Grella, Tareaz delivers a compelling and polished sound that showcases her artistic versatility with an all-female team. She aspires for listeners to walk away from the project with a comforting realization: that the resolution to a chapter in one's life can originate from within, rather than relying on external influences. Despite life's chaos, it's crucial to maintain faith in one's inner strength and resilience.
Track 1: “Dizzy”
In this track, Tareaz delves into the sensation of life being in disarray. The song was penned shortly before her graduation, a period marked by considerable uncertainty regarding future endeavors. She sought to convey the raw emotions experienced at that juncture, breaking down barriers to reveal the inner turmoil beneath the surface. Collaborating with Kristina Sarro, they co-wrote the song, capturing vulnerability and introspection with a bouncy synth-heavy beat and soaring vocals.
Track 2: “Again”
“Again” explores the realization that one's own shortcomings contributed to the end of a relationship. In particular, it explores the struggle with vulnerability and the belief that it’s unattainable. Tareaz points out a key message behind the song, “I want to show my Black audience that it’s safe to cry and unapologetically lean into all emotions that you may be feeling,” she says. “There are so many stereotypes about how a Black woman needs to express herself and be perceived. But I just want to be real and myself and allow myself to grow.”
Track 3: “Over You”
This poignant track serves as a reflection on past regrets following the events depicted in "Again." Over time, Tareaz came to the realization of a mistake made, although too late to rectify. The song captures the sentiment of acknowledging the loss of something valuable. Written during a moment of reflection at a Los Angeles coffee shop, Tareaz penned the song solo in late 2022.
Track 4: “Love Me Right”
This empowering track is a self-assured anthem for reclaiming one's confidence and embracing their inner strength. Alongside themes of desire, the song explores the pursuit of external validation with an explosive chorus and a swelling finish.
Track 5: “Happy Ending”
“Happy Ending” explores the idea of self-discovery and the realization that we hold the power to cultivate our inner peace and happiness, irrespective of external circumstances. Serving as a serene counterpart to the EP's opening track, "Happy Ending" guides listeners toward a place of self-assurance and hopefulness. Tareaz took the reins as the sole writer of this song. It concludes with a voicemail from her Auntie Val, a pivotal figure in her life who has consistently offered unwavering support and guidance. Tareaz recalls turning to her mother and aunt during challenging times in college, finding solace in their presence. Including Auntie Val's voicemail, wherein she affectionately declares "you're doing so good," bears special significance, serving as a reminder that despite life's deviations from cinematic ideals, hope and happiness can still be discovered in every chapter.
Stream It’s Not Like The Movies on March 22.
PC: Clara Neville
About Jordyn Tareaz:
Jordyn Tareaz is a pop singer- songwriter and performer from Maryland/Washington, DC. Her powerful vocals, clever lyricism and enticing stage presence make the 22 year-old artist standout. After many years of honing in on her craft, Jordyn released her debut single "So Good (On My Own)" in January of 2022. The release got coverage from singer-songwriter Linda Perry's organization EqualizeHer, and Quadio Media. Just one month after her debut single, Jordyn opened for Warner Music Group artist Maude Latour , at Songbyrd Music House in Washington, DC. And in March 2022 she earned a feature in Billboard Magazine for her talents and involvement in the World Woman Hour soundtrack.
In September of 2022, Jordyn released her second single "Can't Talk". Fusing piano, hard hitting drum fills and psychedelic synths underneath powerhouse vocals, “Can’t Talk” starts as an intimate ballad and transforms into a freeing pop song. In the lyrics, Jordyn reflects on the space between finding closure and still longing for someone, even though you know you shouldn’t. The single debuted on One’s To Watch’s “Now Watching” playlist, and got praise from publications including Lefuturewave, Tongue Tied Mag, Women That Rock, and Bong Mines Entertainment to name a few. From the studio to the stage Jordyn Tareaz is a creative force on the rise, and this is just the beginning.
Connect with Jordyn Tareaz:
Press contact: Maria Herrera | maria@evergreenent.com
Cover art for It’s Not Like The Movies
Photo by Elaine Tranta
